{"id":11917,"date":"2023-03-13T18:56:40","date_gmt":"2023-03-13T18:56:40","guid":{"rendered":"https:\/\/blogs.uned.es\/shakrel\/?page_id=11917"},"modified":"2026-04-06T09:29:08","modified_gmt":"2026-04-06T09:29:08","slug":"publications","status":"publish","type":"page","link":"https:\/\/blogs.uned.es\/shakrel\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"\n<h4 class=\"wp-block-heading has-text-align-center\"><br>2026<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Ballesteros Gonz\u00e1lez, Antonio. \u201cWinters of Our Discontent: Political Readings of <em>Richard III<\/em>&nbsp;and <em>Julius Caesar<\/em>\u201d, in Eusebio de Lorenzo G\u00f3mez &amp; Jorge Braga Riera, eds. <em>Shakespeare and the Representation of Political Power: Readings for the Twenty-First Century<\/em>. Kasel: Edition Reichenberger (Europ\u00e4ische Profile 75), 2026, 31-61. ISBN: 978-3-967280-64-7.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2025<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Sell, Jonathan P. A. &#8220;Riots, Religious Controversy and Quakers in Thomas Duffett\u2019s <em>The Mock-Tempest<\/em>&nbsp;(1674),&#8221; <em>The Review of English Studies<\/em>, Volume 76, Issue 325, June 2025, Pages 312\u2013331, <a href=\"https:\/\/doi.org\/10.1093\/res\/hgaf023\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.1093\/res\/hgaf023<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conejero-Magro, Luis J. \u201cFalstaff in Spain: Intercultural Challenges and Translation Practices\u201d. In D. Lees, &amp; L. Oakley-Brown (eds.). <em>Translating Shakespeare: Access and Mediation<\/em>. Palgrave Global Shakespeare, 2025, pp. 97-115.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conejero-Magro, Luis J. \u201cA vueltas con la p\u00e9rfida albi\u00f3n: Los retos de verter el sentimiento anti-espa\u00f1ol religioso de <em>Otelo<\/em>, de William Shakespeare, al espa\u00f1ol\u201d, <em>Polissema: Revista\u00a0do Letras do ISCAP<\/em>, edi\u00e7ao especial, 2025, pp. 62-83.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Conejero-Magro, Luis J. \u201cShakespeare\u2019s Biblical Intertextuality: Translating Righteousness in Henry Bolingbroke\u2019s Discourse into Spanish\u201d, <em>SKASE Journal of Translation and Interpretation<\/em>, 2025; 18(1): 78\u201398.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2024<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Sell, Jonathan P. A. \u201cFrom Voltaire\u2019s Quakers to John Boyle\u2019s Methodists: Religious Dispute, Bardolatry, and \u2018Patriot Enthusiasm\u2019.\u201d &nbsp;<em>Journal&nbsp;for&nbsp;Eighteenth-Century&nbsp;Studies<\/em>&nbsp;47. 4 (2024): 345-363, doi: 10.1111\/1754-0208.12944. <a href=\"https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/1754-0208.12944?af=R\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/1754-0208.12944?af=R<\/a><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Tassi, Marguerite. \u201cPursuing contentment and liberation in the Forest of Arden: Hindu and Buddhist resonances in <em>As You Like It<\/em>.\u201d SEDERI 33 (2023): 57\u201380 <a href=\"https:\/\/doi.org\/10.34136\/sederi.2023.3\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.34136\/sederi.2023.3<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2023<\/h4>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/eusal.es\/eusal\/catalog\/book\/978-84-1311-867-3\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"176\" height=\"260\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2023\/11\/cover_first_folio.jpg\" alt=\"\" class=\"wp-image-12667\" \/><\/a><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta. &#8220;Randall T. Davidson&#8217;s Aldermanbury Shakespeare Sermon (1923). A Religious and Theatrical Commemoration of the First Folio&#8221;.&nbsp;<em>Shakespeare&#8217;s First Folio Revisited: Quadricentennial Essays<\/em>. Ed. Remedios Perni. Ediciones Universidad de Salamanca, 2023. 151-167.&nbsp;<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"260\" height=\"173\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2024\/01\/first_folio_presentation.jpg\" alt=\"\" class=\"wp-image-12711\" style=\"width:258px;height:auto\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><a href=\"https:\/\/comunicacion.uned.es\/news\/show\/109310\/la-uned-conmemora-el-400-aniversario-del-first-folio-de-shakespeare.html\" data-type=\"link\" data-id=\"https:\/\/comunicacion.uned.es\/news\/show\/109310\/la-uned-conmemora-el-400-aniversario-del-first-folio-de-shakespeare.html\" target=\"_blank\" rel=\"noreferrer noopener\">First Folio 400th anniversary at UNED.<\/a><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"128\" height=\"64\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2024\/01\/separator.jpg\" alt=\"\" class=\"wp-image-12713\" \/><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"176\" height=\"260\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2023\/11\/cover_nexux.jpg\" alt=\"\" class=\"wp-image-12689\" \/><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"175\" height=\"12\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2023\/11\/pad-2.jpg\" alt=\"\" class=\"wp-image-12703\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Sell, Jonathan P. A. \u201cGentlemen versus Players Four Hundred Years On: Bardolatry, Enthusiasm and Class Prejudice in the Front Matter of Shakespeare First Folio.\u201d <a href=\"https:\/\/aedean.org\/?page_id=141\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Nexus <\/em>2023.01<\/a>: 43-58.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"176\" height=\"260\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2023\/11\/cover_critical_survey-1.jpg\" alt=\"\" class=\"wp-image-12679\" \/><\/figure>\n<\/div>\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"175\" height=\"12\" src=\"https:\/\/blogs.uned.es\/shakrel\/wp-content\/uploads\/sites\/411\/2023\/11\/pad-1.jpg\" alt=\"\" class=\"wp-image-12699\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta and Olivia Coulomb (Guest Editors). <a rel=\"noreferrer noopener\" href=\"https:\/\/www.berghahnjournals.com\/view\/journals\/critical-survey\/35\/2\/critical-survey.35.issue-2.xml\" target=\"_blank\"><em>Shakespeare\u2019s Religious Afterlives. Critical Survey<\/em> 35.2 (Summer 2023). Special Issue<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>Cerezo, Marta. Introduction. \u201cShakespeare\u2019s Religious Afterlives.\u201d 1-10<\/li>\n\n\n\n<li>Sivefors, Per. \u201cSweden and Shakespeare\u2019s Protestant Afterlife.\u201d 11-21<\/li>\n\n\n\n<li>Conejero-Magro, Luis Javier. \u201c&#8217;Our golden crown&#8217;. Analysis of Religious Intertextuality in Shakespeare&#8217;s Richard II, and Its Translation into Spanish.\u201d 22-36<\/li>\n\n\n\n<li>Starks, Lisa. \u201cBetween Two Worlds. The Dybbuk, Shakespeare&#8217;s Romeo and Juliet, and Reparative Tragedy.\u201d 37-48.<\/li>\n\n\n\n<li>Coulomb, Olivia. \u201cTransgressive Catholicism. Baz Luhrmann&#8217;s Romeo + Juliet (1996).\u201d 49-62<\/li>\n\n\n\n<li>Bernabeu, Marta. \u201cRedeeming Lady Macbeth. Gender and Religion in Justin Kurzel\u2019s Macbeth (2015).\u201d 63-79<\/li>\n\n\n\n<li>Tassi, Marguerite.\u201cThe Way of the Bodhisattva. A Buddhist Understanding of King Lear.\u201d 80-91<\/li>\n\n\n\n<li>Kietzman, Mary Jo. \u201cUnaccommodated Religion. King Lear in Flint, Michigan.\u201d 92-104.<br>Creative<br>Kietzman, Mary Jo. &#8220;Lear Reassembled.&#8221; 105-163<\/li>\n<\/ol>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta. &#8220;The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist.&#8221; <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/0013838X.2022.2141456\" target=\"_blank\">English Studies<\/a><\/em>,&nbsp;104. 2 (2023):&nbsp;240-263,&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.1080\/0013838X.2022.2141456\" target=\"_blank\">10.1080\/0013838X.2022.2141456<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2022<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta. &#8220;Charles William Stubbs and Shakespeare: The Incarnation and the English Cult of Literature at the Turn of the Twentieth Century.\u201d&nbsp;<a href=\"https:\/\/muse.jhu.edu\/pub\/418\/article\/886017\/pdf\"><em>Religion &amp; Literature&nbsp;<\/em>54.1\/54.2&nbsp;<\/a>(Spring-Summer 2022): 1-25.&nbsp;<a href=\"https:\/\/doi.org\/10.1353\/rel.2022.0000\">10.1353\/rel.2022.0000<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta.&nbsp;\u201cChristian Socialism and English Literature: Frederick Denison Maurice\u2019s Teaching of Shakespeare.\u201d&nbsp;<em><a rel=\"noreferrer noopener\" href=\"https:\/\/journals.openedition.org\/erea\/?lang=en\" target=\"_blank\">E-rea \u2013 Revue \u00e9lectronique d\u2019\u00e9tudes sur le monde anglophone<\/a><\/em>, 19.2 (2022):&nbsp;1-16. <a rel=\"noreferrer noopener\" href=\"https:\/\/doi.org\/10.4000\/erea.14253\" target=\"_blank\">https:\/\/doi.org\/10.4000\/erea.14253<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018\u201cI would as lief be a Brownist\u2026\u201d Puritanism and Spirituality in Shakespeare\u2019s Twelfth Night\u2019 in Michael Scott and Michael J. Collins (eds),<em>Christian Shakespeare: Question Mark. A Collection of Essays on Shakespeare in his Christian Context<\/em>&nbsp;(Wilmington, Delamare: Vernon Press, 2022), 15\u201334.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sell, Jonathan PA. <em>Shakespeare&#8217;s Sublime Ethos: Matter, Stage, Form<\/em>. Routledge, 2022.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sell, Jonathan PA. <em>Shakespeare&#8217;s Sublime Pathos: Person, Audience, Language<\/em>. Routledge, 2022.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2021<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta.&nbsp;\u201cAn Early History of the Shakespeare Sermon (1769-1830): From Garrick\u2019s Jubilee to the Reverend Arthur Savage Wade\u2019s Stratford Festival Shakespeare Sermons.\u201d&nbsp;<em>Shakespeare&nbsp;<\/em>17.4 (2021):&nbsp;428-450.&nbsp;<a href=\"https:\/\/doi.org\/10.1080\/17450918.2021.1968022\" target=\"_blank\" rel=\"noreferrer noopener\">10.1080\/17450918.2021.1968022<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. <em>More Things in Heaven and Earth: Shakespeare, Theology and the Interplay of Texts<\/em>. U of Virginia P, 2021.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018Shakespeare and Spirituality\u2019, in Anthony Cross and Brian Haymes (eds.),&nbsp;<em>Re-Membering the Body. The Witness of History, Theology and the Arts in Honour of Ruth M. B. Gouldbourne<\/em>&nbsp;(Eugene: Pickwick Publications\/ Wipf and Stock: 2021), pp. 257\u2013277.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018Liturgy, Shakespeare, and Defamiliarisation: A Contribution to the Ethnography of Worship\u2019, in <em>Being Attentive: Essays in Practical Theology<\/em>, ed. Anthony Clarke (Oxford: Regent\u2019s Park College, 2021), 209\u2212232.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2020<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta.&nbsp;&nbsp;\u201cShakespeare and Mercy at the Vatican, 2016.\u201d&nbsp;<em>International Journal of English Studies&nbsp;<\/em>20.3 (2020):&nbsp;145-164.&nbsp;<a href=\"https:\/\/doi.org\/10.6018\/ijes.416521\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/doi.org\/10.6018\/ijes.416521<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Holderness, G. <em>Samurai Shakespeare<\/em>. Edward Everett Root, 2020.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kietzman, Mary Jo. &#8220;Othello: Shakespeare&#8217;s Realistic Samson.&#8221; <em>Religion &amp; Literature<\/em> 52.2 (2020): 91-114.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2019<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u201cShakespearean Tragedy and Christian Tragic Theology for Today.\u201d <em>The Transformation of Tragedy. Christian Influence from Early to Modern<\/em>, edited by F. O. Tonning et al., Brill, 2019.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Holderness, Graham. <em>\u2018Wholly Writ\u2019: A Play in Two Acts<\/em>,in <em>Tales from Shakespeare<\/em>, 2019, pp. 75\u221286.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tassi, Marguerite. \u201c\u2018Who Hath Martyred Thee?\u2019: Responding to the Broken Image of the Body in Shakespeare\u2019s&nbsp;<em>Titus Andronicus<\/em>\u201d in&nbsp;<em>L\u2019Image Bris\u00e9e XVIe et XVIIe si\u00e8cles\/Breaking the Image in the Renaissance&nbsp;<\/em>(Classiques Garnier, 2019)<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2018<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, P. S and A. Taylor. \u201c\u2018Seeing with the Eyes of Love\u2019. A New Liturgy based on Shakespeare\u2019s Midsummer Night\u2019s Dream.\u201d <em>New Places: Shakespeare and Civic Creativity<\/em>, edited by Paul Edmondson and Ewan Fernie, Arden Shakespeare, 2018, pp. 83\u2212107.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kietzman, Mary Jo. <em>The Biblical Covenant in Shakespeare<\/em>. Palgrave Macmillan, 2018.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2017<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018Shakespeare in Church: Reflection on an Intertextual Liturgy Based on&nbsp;<em>A Midsummer Night\u2019s Dream<\/em>\u2019,&nbsp;<em>Ecclesial Practices<\/em>&nbsp;4.2 (2017), 199-217.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2016<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Conejero, L. \u201cBiblical Types and Archetypes in Shakespeare\u2019s <em>Hamlet<\/em>.\u201d <em>Stylistics in Use<\/em>, edited by P. Ruano and G. Nieto, Cambridge Scholars Publishing, 2016, pp. 47\u221260.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Holderness, Graham. <em>The Faith of William Shakespeare<\/em>. Lion Books, 2016.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2015<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Cerezo, Marta.&nbsp;\u201cShakespeare at the Vatican, 1964.\u201d In&nbsp;<em>Celebrating Shakespeare: Commemoration and Cultural Memory.&nbsp;<\/em>Eds. Clara Calvo, Copp\u00e9lia Kahn and Clara Calvo.&nbsp;Cambridge: Cambridge University Press, 2015. 121-139.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. <em>Shakespeare and Religion&nbsp;<\/em>(<em>Sheqspiri da Religia<\/em>). Studies in Modernism 7 (Tbilisi: Ilia University Press, 2015): in Georgian.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018Law and Divine Mercy in Shakespeare\u2019s Religious Imagination:&nbsp;<em>Measure for Measure<\/em>&nbsp;and&nbsp;<em>The Merchant of Venice<\/em>\u2019 in Francesca Bugliania Knox and David Lonsdale (eds.),&nbsp;<em>Poetry and the Religious Imagination.<\/em>&nbsp;<em>The Power of the Word<\/em>&nbsp;(Aldershot: Ashgate: 2015), 109-28.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Holderness, Graham. <em>Black and Deep Desires: William Shakespeare, Vampire Hunter<\/em>. John Hunt Publishing, 2015.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2014<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. <em>Shakespeare and Religion.<\/em> Ilia UP, 2014.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Holderness, Graham. &#8220;Shakespeare and the King James Bible&#8221; <em>Tales from Shakespeare: Creative Collisions<\/em>. (CUP. 2014), 61-74. Cambridge University Press; 2014.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2012<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018Patterns of Hope and Images of Eternity. Listening to Shakespeare, Blake and T.S. Eliot\u2019 in Trevor Hart, Gavin Hopps, Jeremy Begbie (eds),&nbsp;<em>Art, Imagination and Christian Hope<\/em>:&nbsp;<em>Patterns of Promise&nbsp;&nbsp;<\/em>(Aldershot: Ashgate Publishing, 2012), pp. 31-50.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2011<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Graham Holderness, \u2018He dyed a Papist\u2019, in <em>Nine Lives of William Shakespeare<\/em> (London: Continuum, 2011), 172\u2212178<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2002<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Holderness, Graham. <em>The Prince of Denmark<\/em>. Univ of Hertfordshire Press, 2002.<\/p>\n\n\n\n<h4 class=\"wp-block-heading has-text-align-center\">2001<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Fiddes, Paul S. \u2018Story and Possibility. Reflections on the Last Scenes of the Fourth Gospel and Shakespeare\u2019s&nbsp;<em>The Tempest\u2019<\/em>&nbsp;in Gerhard Sauter and John Barton (eds),&nbsp;<em>Revelation and Story. Narrative Theology and the Centrality of Story<\/em>&nbsp;(Aldershot: Ashgate, 2001), pp. 29-52.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2026 Ballesteros Gonz\u00e1lez, Antonio. \u201cWinters of Our Discontent: Political Readings of Richard III&nbsp;and Julius Caesar\u201d, in Eusebio de Lorenzo G\u00f3mez &amp; Jorge Braga Riera, eds. Shakespeare and the Representation of Political Power: Readings for the Twenty-First Century. Kasel: Edition Reichenberger (Europ\u00e4ische Profile 75), 2026, 31-61. ISBN: 978-3-967280-64-7. 2025 Sell, Jonathan P. A. &#8220;Riots, Religious Controversy and Quakers in Thomas Duffett\u2019s The Mock-Tempest&nbsp;(1674),&#8221; The Review of English Studies, Volume 76, Issue 325, June 2025, Pages 312\u2013331, https:\/\/doi.org\/10.1093\/res\/hgaf023 Conejero-Magro, Luis J. \u201cFalstaff in Spain: Intercultural Challenges and Translation Practices\u201d. In D. Lees, &amp; L. Oakley-Brown (eds.). Translating Shakespeare: Access and Mediation. Palgrave Global Shakespeare, 2025, pp. 97-115. Conejero-Magro, Luis J. \u201cA vueltas con la p\u00e9rfida albi\u00f3n: Los retos de verter el sentimiento anti-espa\u00f1ol religioso de Otelo, de William Shakespeare, al espa\u00f1ol\u201d, Polissema: Revista\u00a0do Letras do ISCAP, edi\u00e7ao especial, 2025, pp. 62-83. Conejero-Magro, Luis J. \u201cShakespeare\u2019s Biblical Intertextuality: Translating Righteousness in Henry Bolingbroke\u2019s Discourse into Spanish\u201d, SKASE Journal of Translation and Interpretation, 2025; 18(1): 78\u201398. 2024 Sell, Jonathan P. A. \u201cFrom Voltaire\u2019s Quakers to John Boyle\u2019s Methodists: Religious Dispute, Bardolatry, and \u2018Patriot Enthusiasm\u2019.\u201d &nbsp;Journal&nbsp;for&nbsp;Eighteenth-Century&nbsp;Studies&nbsp;47. 4 (2024): 345-363, doi: 10.1111\/1754-0208.12944. https:\/\/onlinelibrary.wiley.com\/doi\/10.1111\/1754-0208.12944?af=R Tassi, Marguerite. \u201cPursuing contentment and liberation in the Forest of Arden: Hindu and Buddhist resonances in As You Like It.\u201d SEDERI 33 (2023): 57\u201380 https:\/\/doi.org\/10.34136\/sederi.2023.3 2023 Cerezo, Marta. &#8220;Randall T. Davidson&#8217;s Aldermanbury Shakespeare Sermon (1923). A Religious and Theatrical Commemoration of the First Folio&#8221;.&nbsp;Shakespeare&#8217;s First Folio Revisited: Quadricentennial Essays. Ed. Remedios Perni. Ediciones Universidad de Salamanca, 2023. 151-167.&nbsp; First Folio 400th anniversary at UNED. Sell, Jonathan P. A. \u201cGentlemen versus Players Four Hundred Years On: Bardolatry, Enthusiasm and Class Prejudice in the Front Matter of Shakespeare First Folio.\u201d Nexus 2023.01: 43-58. Cerezo, Marta and Olivia Coulomb (Guest Editors). Shakespeare\u2019s Religious Afterlives. Critical Survey 35.2 (Summer 2023). Special Issue. Cerezo, Marta. &#8220;The Shakespeare Sermon (1879-1900): Shakespeare the Poet and Shakespeare the Dramatist.&#8221; English Studies,&nbsp;104. 2 (2023):&nbsp;240-263,&nbsp;10.1080\/0013838X.2022.2141456 2022 Cerezo, Marta. &#8220;Charles William Stubbs and Shakespeare: The Incarnation and the English Cult of Literature at the Turn of the Twentieth Century.\u201d&nbsp;Religion &amp; Literature&nbsp;54.1\/54.2&nbsp;(Spring-Summer 2022): 1-25.&nbsp;10.1353\/rel.2022.0000 Cerezo, Marta.&nbsp;\u201cChristian Socialism and English Literature: Frederick Denison Maurice\u2019s Teaching of Shakespeare.\u201d&nbsp;E-rea \u2013 Revue \u00e9lectronique d\u2019\u00e9tudes sur le monde anglophone, 19.2 (2022):&nbsp;1-16. https:\/\/doi.org\/10.4000\/erea.14253 Fiddes, Paul S. \u2018\u201cI would as lief be a Brownist\u2026\u201d Puritanism and Spirituality in Shakespeare\u2019s Twelfth Night\u2019 in Michael Scott and Michael J. Collins (eds),Christian Shakespeare: Question Mark. A Collection of Essays on Shakespeare in his Christian Context&nbsp;(Wilmington, Delamare: Vernon Press, 2022), 15\u201334. Sell, Jonathan PA. Shakespeare&#8217;s Sublime Ethos: Matter, Stage, Form. Routledge, 2022. Sell, Jonathan PA. Shakespeare&#8217;s Sublime Pathos: Person, Audience, Language. Routledge, 2022. 2021 Cerezo, Marta.&nbsp;\u201cAn Early History of the Shakespeare Sermon (1769-1830): From Garrick\u2019s Jubilee to the Reverend Arthur Savage Wade\u2019s Stratford Festival Shakespeare Sermons.\u201d&nbsp;Shakespeare&nbsp;17.4 (2021):&nbsp;428-450.&nbsp;10.1080\/17450918.2021.1968022 Fiddes, Paul S. More Things in Heaven and Earth: Shakespeare, Theology and the Interplay of Texts. U of Virginia P, 2021. Fiddes, Paul S. \u2018Shakespeare and Spirituality\u2019, in Anthony Cross and Brian Haymes (eds.),&nbsp;Re-Membering the Body. The Witness of History, Theology and the Arts in Honour of Ruth M. B. Gouldbourne&nbsp;(Eugene: Pickwick Publications\/ Wipf and Stock: 2021), pp. 257\u2013277. Fiddes, Paul S. \u2018Liturgy, Shakespeare, and Defamiliarisation: A Contribution to the Ethnography of Worship\u2019, in Being Attentive: Essays in Practical Theology, ed. Anthony Clarke (Oxford: Regent\u2019s Park College, 2021), 209\u2212232. 2020 Cerezo, Marta.&nbsp;&nbsp;\u201cShakespeare and Mercy at the Vatican, 2016.\u201d&nbsp;International Journal of English Studies&nbsp;20.3 (2020):&nbsp;145-164.&nbsp;https:\/\/doi.org\/10.6018\/ijes.416521 Holderness, G. Samurai Shakespeare. Edward Everett Root, 2020. Kietzman, Mary Jo. &#8220;Othello: Shakespeare&#8217;s Realistic Samson.&#8221; Religion &amp; Literature 52.2 (2020): 91-114. 2019 Fiddes, Paul S. \u201cShakespearean Tragedy and Christian Tragic Theology for Today.\u201d The Transformation of Tragedy. Christian Influence from Early to Modern, edited by F. O. Tonning et al., Brill, 2019. Holderness, Graham. \u2018Wholly Writ\u2019: A Play in Two Acts,in Tales from Shakespeare, 2019, pp. 75\u221286.&nbsp; Tassi, Marguerite. \u201c\u2018Who Hath Martyred Thee?\u2019: Responding to the Broken Image of the Body in Shakespeare\u2019s&nbsp;Titus Andronicus\u201d in&nbsp;L\u2019Image Bris\u00e9e XVIe et XVIIe si\u00e8cles\/Breaking the Image in the Renaissance&nbsp;(Classiques Garnier, 2019) 2018 Fiddes, P. S and A. Taylor. \u201c\u2018Seeing with the Eyes of Love\u2019. A New Liturgy based on Shakespeare\u2019s Midsummer Night\u2019s Dream.\u201d New Places: Shakespeare and Civic Creativity, edited by Paul Edmondson and Ewan Fernie, Arden Shakespeare, 2018, pp. 83\u2212107. Kietzman, Mary Jo. The Biblical Covenant in Shakespeare. Palgrave Macmillan, 2018. 2017 Fiddes, Paul S. \u2018Shakespeare in Church: Reflection on an Intertextual Liturgy Based on&nbsp;A Midsummer Night\u2019s Dream\u2019,&nbsp;Ecclesial Practices&nbsp;4.2 (2017), 199-217. 2016 Conejero, L. \u201cBiblical Types and Archetypes in Shakespeare\u2019s Hamlet.\u201d Stylistics in Use, edited by P. Ruano and G. Nieto, Cambridge Scholars Publishing, 2016, pp. 47\u221260.&nbsp; Holderness, Graham. The Faith of William Shakespeare. Lion Books, 2016. 2015 Cerezo, Marta.&nbsp;\u201cShakespeare at the Vatican, 1964.\u201d In&nbsp;Celebrating Shakespeare: Commemoration and Cultural Memory.&nbsp;Eds. Clara Calvo, Copp\u00e9lia Kahn and Clara Calvo.&nbsp;Cambridge: Cambridge University Press, 2015. 121-139. Fiddes, Paul S. Shakespeare and Religion&nbsp;(Sheqspiri da Religia). Studies in Modernism 7 (Tbilisi: Ilia University Press, 2015): in Georgian. Fiddes, Paul S. \u2018Law and Divine Mercy in Shakespeare\u2019s Religious Imagination:&nbsp;Measure for Measure&nbsp;and&nbsp;The Merchant of Venice\u2019 in Francesca Bugliania Knox and David Lonsdale (eds.),&nbsp;Poetry and the Religious Imagination.&nbsp;The Power of the Word&nbsp;(Aldershot: Ashgate: 2015), 109-28. Holderness, Graham. Black and Deep Desires: William Shakespeare, Vampire Hunter. John Hunt Publishing, 2015. 2014 Fiddes, Paul S. Shakespeare and Religion. Ilia UP, 2014.&nbsp; Holderness, Graham. &#8220;Shakespeare and the King James Bible&#8221; Tales from Shakespeare: Creative Collisions. (CUP. 2014), 61-74. Cambridge University Press; 2014. 2012 Fiddes, Paul S. \u2018Patterns of Hope and Images of Eternity. Listening to Shakespeare, Blake and T.S. Eliot\u2019 in Trevor Hart, Gavin Hopps, Jeremy Begbie (eds),&nbsp;Art, Imagination and Christian Hope:&nbsp;Patterns of Promise&nbsp;&nbsp;(Aldershot: Ashgate Publishing, 2012), pp. 31-50. 2011 Graham Holderness, \u2018He dyed a Papist\u2019, in Nine Lives of William Shakespeare (London: Continuum, 2011), 172\u2212178 2002 Holderness, Graham. The Prince of Denmark. Univ of Hertfordshire Press, 2002. 2001 Fiddes, Paul S. \u2018Story and Possibility. Reflections on the Last Scenes of the Fourth Gospel and Shakespeare\u2019s&nbsp;The Tempest\u2019&nbsp;in Gerhard Sauter and John Barton (eds),&nbsp;Revelation and Story. Narrative Theology and the Centrality of Story&nbsp;(Aldershot: Ashgate, 2001), pp. 29-52.<\/p>\n","protected":false},"author":7661,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-11917","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/pages\/11917","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/users\/7661"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/comments?post=11917"}],"version-history":[{"count":65,"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/pages\/11917\/revisions"}],"predecessor-version":[{"id":13489,"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/pages\/11917\/revisions\/13489"}],"wp:attachment":[{"href":"https:\/\/blogs.uned.es\/shakrel\/wp-json\/wp\/v2\/media?parent=11917"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}