{"id":2434,"date":"2022-03-24T20:56:21","date_gmt":"2022-03-24T20:56:21","guid":{"rendered":"https:\/\/marcapaginasuned.linhd.uned.es\/?p=2434"},"modified":"2024-06-12T18:48:56","modified_gmt":"2024-06-12T16:48:56","slug":"beatnik-transmutaciones-de-la-palabra","status":"publish","type":"post","link":"https:\/\/blogs.uned.es\/marcapaginas\/2022\/03\/24\/beatnik-transmutaciones-de-la-palabra\/","title":{"rendered":"Beatnik: Transmutaciones de la palabra"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Colaboraci\u00f3n en el<strong><em>&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/marcapaginasuned.linhd.uned.es\/?p=2434\" target=\"_blank\">Congreso internacional \u201cWasteland\u201d sobre poetas de la generaci\u00f3n Beat<\/a><\/em><\/strong><a rel=\"noreferrer noopener\" href=\"https:\/\/marcapaginasuned.linhd.uned.es\/?p=2434\" target=\"_blank\">,<\/a>&nbsp;con la exposici\u00f3n de collages&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/marcapaginasuned.linhd.uned.es\/?p=2434\" target=\"_blank\">Beatnik: Transmutaciones de la palabra<\/a>&nbsp;en la Biblioteca Central de la autora&nbsp;<a rel=\"noreferrer noopener\" href=\"https:\/\/marcapaginasuned.linhd.uned.es\/?p=2434\" target=\"_blank\">Rebeka Elizegi<\/a>.&nbsp;| 7 de abril &#8211; 5 de mayo<\/h4>\n\n\n\n<p><strong>Actividades culturales<\/strong><br>La exposici\u00f3n Beatnik: Transmutaciones de la palabra, enmarcada en la 2022 EAAS Conference que este a\u00f1o organiza la UNED, dentro de las actividades conmemorativas de UNED 50, presenta la serie Beatnik de la artista visual Rebeka Elizegi.<\/p>\n\n\n\n<p>El congreso, titulado Wastelands, pretende por un lado poner en relevancia el hecho de que en 1922 se publica el poema de T.S. Eliot The Waste Land y por otro lado la necesidad de concienciar sobre cuestiones de sostenibilidad y buenas pr\u00e1cticas acad\u00e9micas.<\/p>\n\n\n\n<p>La exposici\u00f3n muestra esta serie centrada en las mujeres poetas del movimiento art\u00edstico norteamericano conocido como la Beat Generation. Seg\u00fan nos explica la artista, la serie nace como \u201cun homenaje reivindicativo a estas poetas que han quedado a la sombra en la historia de la literatura\u201d.<\/p>\n\n\n\n<p>Este car\u00e1cter reivindicativo y la interconexi\u00f3n entre las poetas americanas Beatnik (t\u00e9rmino despectivo con que la sociedad americana apod\u00f3 a este grupo y que da t\u00edtulo a la exposici\u00f3n) conecta directamente con la visibilizaci\u00f3n y empoderamiento de un grupo de mujeres poetas desechadas por el canon literario tradicional. Esta pr\u00e1ctica ropavejera, la del reusado de la palabra po\u00e9tica trasmutada, actualiza el canon, renov\u00e1ndolo y transform\u00e1ndolo, para integrarlo en la realidad del hecho literario y art\u00edstico.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/www.youtube.com\/watch?v=vJ9uuRyBuzU\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-video\"><video autoplay controls loop src=\"https:\/\/marcapaginasuned.linhd.uned.es\/wp-content\/uploads\/2022\/03\/BEATNIK_OK.mp4\"><\/video><\/figure>\n\n\n\n<p>El di\u00e1logo que se establece en las obras expuestas con los poemas y la vida de ocho autoras, Lenore Kandel, Diane Di Prima, Mary Norbert K\u00f6rte, Denise Levertov, Hettie Jones, Carolyn Cassady, Anne Waldman y Elise Cowen, demuestra que, lejos de no existir, las mujeres poetas del movimiento tuvieron una actividad intensa que, a su vez, retroalimenta una necesidad sentida en la sociedad por reivindicar a las mujeres que han quedado relegadas en la historia de la literatura.<\/p>\n\n\n\n<p>La imbricaci\u00f3n entre literatura y arte que impregna esta exposici\u00f3n interpela directamente al inter\u00e9s de la 2022 EAAS Conference Wastelands por ser un \u201caprovechamiento\u201d contemporizado del gasto que ha supuesto la silente exclusi\u00f3n de las poetas de la Generaci\u00f3n Beat en la historia de la literatura americana. Por otro lado, integra el esp\u00edritu de sostenibilidad porque la t\u00e9cnica del collage supone, entre otras muchas cosas, la reutilizaci\u00f3n de materiales desechados en su uso originario.<\/p>\n\n\n\n<p>Rebeka Elizegi recoge donde los dem\u00e1s vemos material impreso viejo, inservible, y le confiere un significado art\u00edstico que es a la vez po\u00e9tico.<\/p>\n\n\n\n<p>Podr\u00e9is disfrutar de las obras de esta artista a partir del 7 de abril en el vest\u00edbulo de la Biblioteca Central de la UNED.<\/p>\n\n\n\n<p>Foto de\u00a0<a href=\"https:\/\/unsplash.com\/es\/@marsumilae?utm_content=creditCopyText&amp;utm_medium=referral&amp;utm_source=unsplash\">Marsumilae<\/a>\u00a0en\u00a0<a href=\"https:\/\/unsplash.com\/es\/fotos\/un-grupo-de-personas-de-pie-en-un-edificio-V2WiJNj8S9E?utm_content=creditCopyText&amp;utm_medium=referral&amp;utm_source=unsplash\">Unsplash<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La exposici\u00f3n de collages Beatnik: Transmutaciones de la palabra, enmarcada en la 2022 EAAS Conference que este a\u00f1o organiza la UNED, dentro de las actividades conmemorativas de UNED 50, presenta la serie Beatnik de la artista visual Rebeka Elizegi. En Biblioteca Central de la UNED, del\u00a07 de abril al 5 de mayo. Congreso internacional \u201cWasteland\u201d sobre poetas de la generaci\u00f3n Beat.<\/p>\n","protected":false},"author":7847,"featured_media":5225,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[389,443,245,539],"class_list":["post-2434","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","tag-collages","tag-exposiciones","tag-mujeres","tag-poesia"],"_links":{"self":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts\/2434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/users\/7847"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/comments?post=2434"}],"version-history":[{"count":2,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts\/2434\/revisions"}],"predecessor-version":[{"id":5227,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts\/2434\/revisions\/5227"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/media\/5225"}],"wp:attachment":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/media?parent=2434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/categories?post=2434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/tags?post=2434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}