{"id":1111,"date":"2012-02-13T16:00:00","date_gmt":"2012-02-13T15:00:00","guid":{"rendered":"https:\/\/blogs.uned.es\/marcapaginas\/2012\/02\/13\/cine-theo-angelopoulos-in-memoriam\/"},"modified":"2024-09-03T19:46:13","modified_gmt":"2024-09-03T17:46:13","slug":"cine-theo-angelopoulos-in-memoriam","status":"publish","type":"post","link":"https:\/\/blogs.uned.es\/marcapaginas\/2012\/02\/13\/cine-theo-angelopoulos-in-memoriam\/","title":{"rendered":"CINE| Theo Angelopoulos. In memoriam"},"content":{"rendered":"<div style=\"text-align: justify\"><a style=\"clear: right;float: right;margin-bottom: 1em;margin-left: 1em\" href=\"http:\/\/3.bp.blogspot.com\/-aMsFGRO93_8\/TzKgHvjdNiI\/AAAAAAAABnk\/qR7J_cqvLWo\/s1600\/theo-angelopoulos.jpg\"><img fetchpriority=\"high\" decoding=\"async\" src=\"http:\/\/3.bp.blogspot.com\/-aMsFGRO93_8\/TzKgHvjdNiI\/AAAAAAAABnk\/qR7J_cqvLWo\/s320\/theo-angelopoulos.jpg\" width=\"320\" height=\"162\" border=\"0\" \/><\/a><span style=\"font-family: 'Trebuchet MS',sans-serif\"> El pasado 24 de enero fallec\u00eda el cineasta griego Theo Angelopoulos, dejando inacabado su \u00faltimo proyecto cinematogr\u00e1fico, una trilog\u00eda hist\u00f3rica sobre la Grecia del siglo XX, iniciada en 2004 con \u00abEleni\u00bb.<\/span><\/p>\n<div style=\"text-align: justify\"><span style=\"font-family: 'Trebuchet MS',sans-serif\">Naci\u00f3 en Atenas en 1935 donde se licenci\u00f3 en Derecho pero no lleg\u00f3 a ejercer como abogado. Despu\u00e9s del servicio militar, se traslad\u00f3 a Par\u00eds para estudiar con el antrop\u00f3logo Claude L\u00e9vi-Strauss en la Universidad de la Sorbona y luego en la Escuela de Cine de Par\u00eds. Volvi\u00f3 a su pa\u00eds en 1964, donde trabaj\u00f3 como cr\u00edtico cinematogr\u00e1fico para el peri\u00f3dico\u00a0 \u00abDimokratiki Allaghi\u00bb, hasta que la Dictadura de los Coroneles lo cerr\u00f3 en 1967. En estos a\u00f1os rod\u00f3 \u00abNegro y Blanco\u00bb y \u00abForminx Story\u00bb, que dej\u00f3 inconclusas por falta de presupuesto. La obra de Angelopoulos suscita todo tipo de opiniones dispares. Algunos cr\u00edticos le consideran un autor interesante con un estilo muy personal en la utilizaci\u00f3n de tiempos muertos, de largos planos secuencia y gusto por la abstracci\u00f3n. Otros, por el contrario, consideran que es un cineasta sobrevalorado.\u00a0<\/span><\/div>\n<\/div>\n<div style=\"text-align: justify\"><span style=\"font-family: 'Trebuchet MS',sans-serif\">Ganador de varios premios tan prestigiosos como el Le\u00f3n de Oro y Premio FIPRESCI en el Festival de Venecia por \u00abAlejandro Magno\u00bb, la Palma de Oro de Cannes en 1998 por \u201cLa eternidad y un d\u00eda\u201d y del Gran Premio del Jurado del mismo festival en 1995 por \u201cLa mirada de Ulises\u201d.\u00a0De entre los muchos reconocimientos que ha recibido en Espa\u00f1a fue galardonado con el Premio Lu\u00eds Bu\u00f1uel en 2009, del Festival de Cine de Huesca y con el Premio Terenci Moix a la Trayectoria Cinematogr\u00e1fica 2011, en reconocimiento a toda su trayectoria con una coherencia cinematogr\u00e1fica y personal fuera de toda duda.<br \/>\nPor \u00faltimo, les ofrecemos la filmograf\u00eda del cineasta e identificando las pel\u00edculas que tenemos en Mediateca con un enlace al cat\u00e1logo.\u00a0<\/span><\/div>\n<div>&#8211; <a href=\"https:\/\/acortar.link\/RVLu3G\">El final de una eternidad<\/a><\/div>\n<div style=\"text-align: justify\">&#8211; <a href=\"https:\/\/acortar.link\/N9fHLl\">Theo Angelopoulos 1970-1977<\/a><\/div>\n<div>(Contiene las pel\u00edculas: Reconstrucci\u00f3n=Anaparastasi, 1970; D\u00edas del &#8217;36=Meres tou, 1972; El viaje de los comediantes=O thiassos, 1975; Los cazadores=I kynigi, 1977.<\/div>\n<div>&#8211; <a href=\"https:\/\/acortar.link\/63B4X9\">El paso suspendido de la cig\u00fce\u00f1a<\/a><\/div>\n<div>&#8211; <a href=\"https:\/\/acortar.link\/3Eqzon\">Eleni<\/a><\/div>\n<div>&#8211; <a href=\"https:\/\/acortar.link\/o5mFpV\">La eternidad y un d\u00eda<\/a><\/div>\n<div>&#8211; <a href=\"https:\/\/acortar.link\/eSOsbo\">Paisaje en la niebla<\/a><\/div>\n<div>&#8211; <a href=\"https:\/\/acortar.link\/Oz7GcJ\">La mirada de Ulises<\/a><\/div>\n<div><\/div>\n<div><span class=\"mw-mmv-author\">Foto de George Laoutaris<\/span>\u00a0&#8211;\u00a0<span class=\"mw-mmv-source\"><a class=\"external free\" href=\"https:\/\/www.flickr.com\/photos\/laoulaou\/3533431360\/sizes\/z\/in\/photostream\/\" rel=\"nofollow\">https:\/\/www.flickr.com\/photos\/laoulaou\/3533431360\/sizes\/z\/in\/photostream\/<\/a><\/span><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div style=\"text-align: justify\">\n<div style=\"text-align: left\"><\/div>\n<\/div>\n<div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El pasado 24 de enero fallec\u00eda el cineasta griego Theo Angelopoulos, dejando inacabado su \u00faltimo proyecto cinematogr\u00e1fico, una trilog\u00eda hist\u00f3rica sobre la Grecia del siglo XX, iniciada en 2004 con \u00abEleni\u00bb. Naci\u00f3 en Atenas en 1935 donde se licenci\u00f3 en Derecho pero no lleg\u00f3 a ejercer como abogado. Despu\u00e9s del servicio militar, se traslad\u00f3 a [&hellip;]<\/p>\n","protected":false},"author":7847,"featured_media":6057,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[381,421,671],"class_list":["post-1111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","tag-cine-europeo","tag-directores","tag-in-memoriam"],"_links":{"self":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts\/1111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/users\/7847"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/comments?post=1111"}],"version-history":[{"count":3,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts\/1111\/revisions"}],"predecessor-version":[{"id":6061,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/posts\/1111\/revisions\/6061"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/media\/6057"}],"wp:attachment":[{"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/media?parent=1111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/categories?post=1111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.uned.es\/marcapaginas\/wp-json\/wp\/v2\/tags?post=1111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}